Living With the Land

 

 

Notations in diaries bear the passage silently,

without thought, without promise

documenting those fleeting sensations

that somehow tell us how

     we are truly alive.

Even as we descend each year

to our darkness and to our death.

To experience what it feels like

to have no place in your life

slipping through my fingers,

     even as we know, Beloved,

                                    that it is my life slipping through yours.

 

So we embrace in the darkness,

planning for planting

our peas by the full of the moon.

      Posterity (possibly)

      History (certainly)

Nature or Nurture, no almanac or scripture knows for certain.

Only this:

       For every thing, there is a season.

Reason and passion traverse time in cycles.

The Law of the Land.

 

It seems harder now to be truthful.

When trees are barren, when whiteness blinds

and earth, frozen and asleep cannot,

will not, accept our seed.

     So easily bored,

dreams are scattered through the bony fingers

of this soul piercing wind.

Dormant Creativity.

 

Memory, in its way, thaws the soul

as I suck in dreamy whiffs of honeysuckle,

iridescent green rain, young warm prairie grass.

     The scent of a woman with great potential.

Smelling of promise 

exhaling prayer towards a bountiful harvest

and against temptation.

Aromatic Imagination.

 

 

I ride cloud formations each evening before dusk,

thinking that the soft patterns and diffused light

might serve as a tool

(a screwdriver, a monkey wrench, the nuts and bolts of calmness).

With the right tools for the job at hand,

each day grows into the next.

     Finally, work in the garden has begun.

Visions of Progress.

 

I absorb damp breezes between red flannel breasts.

My thighs ache and a river of sweat cascades off my left nipple.

I'd like to lie naked in the shade

or barefoot in the garden.

 

But my feet intrude upon the afternoon repose of copperheads,

lazy and innocent beneath the mulch.

And the cool beckoning grass harbors crawling things,

not so innocent,

waiting there to bite me.

Tactile Paradox.

 

Come to me in early June

and I will place a sunwarmed strawberry

upon your parched pink tongue

sealing it with a kiss.

The sweetness laughingly dribbles from the corners

of our greedy mouths

trickling down our throats

merging like tributaries into rivers of sweat and desire

     Downward, always downward

along the contour of our nakedness

to the fertile crescent waiting like

Kundalini rising

      to and for your Touch.

Procreation on a lazy afternoon.

 

I listen to whip‑oor‑whills and hear crows.

And sometimes,

      in a deep summer bed,

I lie surrounded in locust mantra.

Rising.  Falling.

 

 

Trish Evers was a professional artist and writer living in Wheaton, Illinois. She was one of the founding members of The Awakenings Project.

 

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